Polish artist Marta Klonowska uses shards of broken glass to create these animal sculptures.
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhku1yDclWo1kdTBQKLdu0mYynayxF2QcQ2SeekshNbsXIQoq4Psa57o_62H21EOZ7ThsV8-eGzFTNbvr-Uz_aDNBU-i_1KOrWdCDb0zz_EMleJRJF9fe1PqsFFNtOcgV1I9f6-k2MmRG4y/s1600/03.jpg)
The process of builing the sculptures begins with a metal frame and net mesh outline. Marta then covers the outline with the shards of glass carefully, one piece at a time.
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjvsTsZCBG1gfY3Ys5dgur3BPHIkvp7irBX25G9tzAniqrdq6Vkd8PTA-vAGDNZ-Yq7dp5bvlSYa45ASMFIA24JOHZXEJOiXlcvPHePCgXhWsYj1jytF_GsTIevJ-rK8YS9K0D8ohPZ76Ur/s1600/01.jpg)
“Animals are difficult to understand and it is difficult to communicate with them. My glass animals open therefore a new reality, which is different from ours. The sitters in the painting, the animals and the audience of my art perform in a kind of theatrical stage, where the different levels become indistinct. This clash of realities should make us think about the uncertainties of life.”
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEilgrtuMn38KZcD4FJ2uPjpow7xfnBVmg_asf61X3TqusYFbhDXnCF1hr4gTbn0Yr3ghF6PA4W0JidrwNufYv5XZPzDvuN1B7C5VSb1eStSaArxZr-SdborvzuOkkG8LCOVg_GzRXt1eeea/s1600/02.jpg)
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjT0qlPXdf1_OMZIWveoVGACdqsNdhMgnaburIiZHpbZ3TKBMfEL6pWZHD8GFMdMTR9zgU7hzo35RNQ3NmHu-l0d8QEjn8M19mEJMzBL4SrUOW8iwqjFeiQv3j8qi0HX9ONeAjFihwVyACI/s1600/01.jpg)
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhuszO66RYsu0DkIsMvSMvmZkhhM7PRcTCmr41gP2hy2CaYTy9a5iF1GrOwgnKFCmXFhOle5SffvEG1nn1D-5ghAf8AlaPV7RzOk5Q7c5ZeFv3RDoz3OikmeLMiEjM47cxh0q6IMEmXu131/s1600/03.jpg)
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![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhZDmd6CrppH7g00YD54CxSdS688AmG3AgAhKlAlLhYrOuupWvE3atxp80DepanFnJgP2ZaxIlVWrKkep-yz3Y_sd0d9vja_0h3yPPHWqtp66-kY8H1BiBeZRiKH44xMV3bmRzhvjsQR2X2/s1600/04.jpg)
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiY-gaq80yvy8o-8KdJvat2DWvkKdjR6M9FUsfmk3QoXxZ8WFFbJeObKkd0muxeQOLn4IBPJpnglYsXUJvZna0J0HfBX2okz-1aIIpIGnSaGj85BNn2nJjd3UKd4p5DuCI6DYpv6pCciX_8/s1600/05.jpg)
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEisNsnemcP49h0Wfy9LqeEXqKlLGaGHXSPxm24RwCNpYRhvhu2G8k5HOTHyupyWCXYOder3FzI7b32nJXQRreUfUgrPQh1egq4yvipOLNvHvsvZ4iM8oiJmDS0pmqJ09CiEf6BjJAN4eW6q/s1600/01.jpg)
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjEKmzeufUQFNexcoZwMPH6KiAIvyMLZceCNa3KVNaZ2EOUxsgYk0xCobxEV-SEln2-WD_miE4QGyFbIK94BF8vfDT7rAcgtqLV0rxSyHktEQCRTESgbwRSOxhXX1h8pMAc3Idd9ONUyAzI/s1600/02.jpg)
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhku1yDclWo1kdTBQKLdu0mYynayxF2QcQ2SeekshNbsXIQoq4Psa57o_62H21EOZ7ThsV8-eGzFTNbvr-Uz_aDNBU-i_1KOrWdCDb0zz_EMleJRJF9fe1PqsFFNtOcgV1I9f6-k2MmRG4y/s1600/03.jpg)
The process of builing the sculptures begins with a metal frame and net mesh outline. Marta then covers the outline with the shards of glass carefully, one piece at a time.
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjvsTsZCBG1gfY3Ys5dgur3BPHIkvp7irBX25G9tzAniqrdq6Vkd8PTA-vAGDNZ-Yq7dp5bvlSYa45ASMFIA24JOHZXEJOiXlcvPHePCgXhWsYj1jytF_GsTIevJ-rK8YS9K0D8ohPZ76Ur/s1600/01.jpg)
“Animals are difficult to understand and it is difficult to communicate with them. My glass animals open therefore a new reality, which is different from ours. The sitters in the painting, the animals and the audience of my art perform in a kind of theatrical stage, where the different levels become indistinct. This clash of realities should make us think about the uncertainties of life.”
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEilgrtuMn38KZcD4FJ2uPjpow7xfnBVmg_asf61X3TqusYFbhDXnCF1hr4gTbn0Yr3ghF6PA4W0JidrwNufYv5XZPzDvuN1B7C5VSb1eStSaArxZr-SdborvzuOkkG8LCOVg_GzRXt1eeea/s1600/02.jpg)
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjT0qlPXdf1_OMZIWveoVGACdqsNdhMgnaburIiZHpbZ3TKBMfEL6pWZHD8GFMdMTR9zgU7hzo35RNQ3NmHu-l0d8QEjn8M19mEJMzBL4SrUOW8iwqjFeiQv3j8qi0HX9ONeAjFihwVyACI/s1600/01.jpg)
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